In the month since Russian President Vladimir Putin ordered his troops toinvade Ukraine , the domain has learn the horror unfold live on television receiver and social media . The images have been in writing and shameful , demonstrating the absolute worst of humanity .
But the pictures have shown another side of war , too . There are the images of braw Ukrainians remain behind to fight for their country . And photos of the women and children who have trekked miles into the arms of numberless volunteers waiting to garb , feed and house them . These photo play up the absolutebest of humanity .
Both side of this history are being photographed by men and woman simply doing their jobs — state of war photographers and correspondents . They ’re courageously documenting the injustices of warfare , just as these nine photographers did before them , set out with one man who is considered the father of photojournalism for how he document the U.S. Civil War .
Mathew Brady (1822-1896)
Mathew Brady was a well - established photographerbefore the Civil War , but he ’s considered the first lensman to whole document a war with pic . President Abraham Lincoln , who Brady photographed on numerous occasions , gave him permission to shoot the war in 1861 . Brady send out a staff of as many as 20 photographers out on the battlefields under his way . The photos these men sent back , include many ofdead American soldierson the battlefield of Antietam , had a major impingement on how people view the Civil War . Today Brady ’s image are part of the National Archives .
Ernest Brooks (1876-1957)
Ernest Brooksenlisted in the Royal Naval Volunteer Reserve after World War I broke out . He ab initio begin photographing the preparations for the Gallipoli military campaign , but was before long nominate as the first official British warfare lensman . Brooks incur the honorary rank of Second Lieutenant and was get off to photograph the Western Front in 1916 .
Many of his images are more technically technical and posed than candid . And his most famed shots are those where he used silhouettes to maximize drama and illustrate the anonymity of the state of war . London ’s Imperial War Museum and and theNational Library of Scotlandhouse many of his image today .
Margaret Bourke-White (1904-1971)
Margaret Bourke - White hadmany firstsin her career as a state of war newswriter . She was the first alien photographer to take pictures of industriousness in the Soviet Union in the late 1920s . She was one of the first four lensman hired by Life magazine in the mid-1930s . She also take all-inclusive photographs of the Depression and theDust Bowl , but when World War II broke out , Bourke - White headed to Europe . There she was the only westerly lensman to capture images of Germany invading Moscow in 1941 , and to fly alongside work party on bombing missions in 1942 . But her agonizing images of the liberation of German concentration camps still leave an unerasable impact on everyone who date them .
Robert Capa (1913-1954)
It ’s hard to state in a few words the impact Robert Capa had on war photography . His most famed photograph , " Death of a Loyalist Soldier " from 1936 , earned him the label " the greatest war photographer in the world " by the British magazine Picture Post when he was just 25 . The photo , taken at the beginning of the Spanish Civil War , shows the exact bit a fastball hits a soldier .
The extraordinary photograph he took while storming Omaha Beach alongside American soldier during the 500 - Day invasion June 6 , 1944 , are iconic . Capa was the only photographer to play along U.S. forces on that first wave , and his figure of speech service as a historical record book of the confederate encroachment of German - occupied France . you could translate Capa ’s description of that dayin his own give-and-take here .
Dickey Chapelle (1918-1965)
Dickey Chapellegrew up in Wisconsin and her goal was to be a reporter and photographer — which she became . During World War II , women were n’t allowed in combat zones , but that did n’t blockade Chapelle . On duty assignment for her first major magazine in the Pacific Theater , she convert soldiers to take her to the front line at Okinawa , where she photographed some of the last battles there . Chapelle continued to travel extensively across the Middle East and India photographing communistic rebel grouping in Algeria and Hungary . She was in Cuba when Fidel Castro study over Havana . She was engraft with the Marines in Lebanon and again extensively during Vietnam .
Always eager to get the shot , she was the first female person to get Pentagon approval to parachute with troops in Vietnam . It was there , in 1965 that Chapelle was killed by a landmine while patrolling , making her the first war correspondent killed in the Vietnam War . In 2016 , Marine Commandant Gen. Robert Neller gave Chapelle the title ofhonorary Marine . Today more than 40,000 of her images and letter are housed in theWisconsin Historical Society .
Kevin Carter (1960-1994)
South African photographer Kevin Carter was one of four members of the " Bang Bang Club , " a group of photojournalists — Carter , Greg Marinovich , Ken Oosterbroek and João Silva — who earned fame capturing the ferocity as South Africa transitioned from apartheid between 1990 and 1994 . Carter was also the first to photograph a public execution of a Black South African fair sex in 1980 by anti - apartheid groups .
But it ’s his haunting ikon of a untested Sudanese tiddler for which Carter will forever be remembered . He was in Sudan photograph the humanist crisis and dearth do by civil war ravaging the country . It ’s of a young , starving minor who collapsed while on the way to a feeding center . Behind the child is a vulture that seems to be stalking them . The photowon him the Pulitzer Prize . Just three months after the range of a function was put out — and a week after he received the Pulitzer — Carter put suicide . The photo remains an unforgettable image of famine and warfare .
Catherine Leroy (1944-2006)
Like Dickey Chapelle , Catherine Leroy was adaring war photographerin Vietnam ; the two were the only distaff lensman during the Vietnam War . Leroy dedicated most of her prison term to capturing images of human race in combat , support and patrolling with U.S. Marines for the three years she spend as a self-employed person photographer there . She was accredited by The Associated Press and United Press International and quickly realize a reputation for her knock-down images . Leroy also was an accomplished parachuter and made several jumps with the Marines , include one with the 173rd Airborne Brigade duringOperation Junction City , the only major parachute ravishment of the war . The North Vietnamese forces held her captive during the Têt Offensive and she was seriously injure in 1968 . After the declination of Saigon in 1975 , Leroy continue to photograph world conflicts , including civic state of war in Lebanon and the siege of West Beirut by Israel in 1982 .
Philip Jones Griffith (1936-2008)
After studying pharmacy in Liverpool , Welshman Philip Jones Griffith became a full - time freelance lensman in 1961 . He first cover the Algerian War and then Central Africa where he moved on to Vietnam . He spend five year there photographing the warfare in the jungle . But his line of work take him to more than 120 res publica during his animation ; he documented battle in region let in North and Central Africa , Israel , Cambodia and Iraq . He is perhaps best - know for his Word " Vietnam Inc. " First published in 1971 , the book not only depicts the fighting , force and destruction of that war , but also everyday life during Vietnam . The icon aid turn the populace ’s opinion of the Vietnam War , and basically helped stop it altogether .
Chris Hondros (1970-2011)
Chris Hondroswas an American war photographer who was twice a finalist for a Pulitzer Prize for his outstanding double . He was a staff photographer for Getty Images and snap most of the humans ’s major difference zones of the tardy 1990s and early 2000s , including the attacks of Sept. 11 , the wars in Iraq and Afghanistan , the civil war in Liberia , and the Arab Spring in Egypt and Libya . His images were publish on the front pages of The New York Times , The Washington Post and the Los Angeles Times . Hondros was killed in 2011 alongside fellow photojournalist Tim Hetherington while they were covering the uprising against Moammar Gadhafi in Libya .
While picture taking has certainly changed since the first image were captured in the 1800s , the photographers who use the medium to shine light on the atrocity of war have not . These valet and women who brave the depredation of warfare , armed only with a photographic camera , are still fearless and stoic , and today they are more essential to disseminating the true write up of war than ever .
